Showing posts with label sad-funny. Show all posts
Showing posts with label sad-funny. Show all posts

Saturday, September 22, 2012

Geek Love

Letters of Note: The Vision of Sin 
Charles Babbage gently takes to task Alfred Tennyson's poem "The Vision of Sin": for a verse "which reads – "Every moment dies a man, Every moment one is born." and suggests changing it for accuracy to "Every moment dies a man, Every moment 1 1/16 is born."

While in the Guardian, Simon Singh corrects Katie Melua's song "Nine Million Bicycles" (http://www.guardian.co.uk/education/2005/sep/30/highereducation.uk). He finds the "little ditty is deeply annoying, because [Katie] demonstrates a deep ignorance of cosmology and no understanding of the scientific method." Read the rest of the article at the link above - bloody awesome plus it has a poem!!!


Thursday, September 20, 2012

The Last Place You Ever Live By John Fischer

On a bench outside, I open the plastic containers one-by-one and hand them to my father. We watch the residents filter in and out of the main building, supported by four-footed canes and wheeled walkers.
“This must not be easy for you,” he says to me.
“I guess,” I say. “Is it easy for you?”
“All I have to do is get dragged around for a few days.”
I mumble something resembling an agreement and discover that I’m having trouble meeting his eyes.
“I remember when this happened to my dad,” he continues. “He was diagnosed with mesothelioma from his years at DuPont—this was before you were born. I remember those first real changes in him, when he wasn’t quite my father anymore. The hardest part wasn’t seeing him change. It was knowing he knew I saw it. That really broke my heart.”
I excuse myself from the bench, explaining that I need a bathroom.
Locked in a handicapped stall with an emergency pull by the toilet paper, I sit on my heels and cry. The bathroom is empty and so I really go for it: wailing, shaking, snot streaming from my nose. The minutes wash out in long blurry streaks. Pressure fills my chest like sinking to the bottom of a pool. The light goes flickering and dim.
When I return, my mother and father are debating whether the Toyota will break two hundred thousand miles on our way back. Neither of them mentions the redness ringing my eyes, but my father squeezes my shoulder as I help him into the car. 
The remarkable character of aging is the way it draws each of us towards the same inevitability, the same anonymity, the same identical end.
Part of what makes the truth of aging so unnerving is its scale. It’s the elephant to all of our blind men. .......
But after a while I start to think that scale alone isn’t the problem. It’s that the scale robs us of our individual agency. The remarkable character of aging is the way it draws each of us towards the same inevitability, the same anonymity, the same identical end. Everyone on the planet will experience it in one form or another, as one of the few rituals we share across our species. Except as tiny people with worries and chores, obligations and hopes, we are painfully ill-equipped to reconcile the distance between the personal and the universal. We perceive our own outline in the facts and empirical evidence, and imagine that we can make things different for our parents or ourselves.
Mostly we are wrong. Incontrovertibly and terrifyingly wrong. So we scramble to control whatever we can, in whatever infinitesimally small measure is possible.
The last place you ever live is not really a place. It’s a compromise. It’s a wheelchair or a cane, an argument, a difficult decision, a humiliation to be ignored. It’s a cleaving to the parts that were, and a progressive resignation to the parts that are no longer. It’s the temporary safety of particulars—will the new house be big enough, the food fresh enough, the other residents friendly enough? It’s a father seeing himself through his son’s eyes, or a wife trading hope for common sense. I’m sure it’s millions of other things too, depending on whom you ask. We are sons and daughters, after all, and susceptible by default to the terms of cliché.
If I only get to pick one, I guess it would be something resembling a simple question, probably the same one my parents are asking themselves right now.
How can I possibly make this my own?




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Wednesday, September 19, 2012

Two interesting articles from the BBC

Could babies' faces reduce crime?


  • The experiment, named Babies of the Borough, follows other attempts to try and use the environment to moderate behaviour.
  • One that has had plenty of publicity is the controversial Mosquito Anti-Loitering Security Device. The gadget emits an unbearable buzzing sound and can be set to a pitch that is audible only to those under the age of 25. It was initially used to prevent teenagers gathering outside shops, but opponents tried to get it banned as a breach of human rights.
  • Music has also been used. London Underground copied a successful scheme from Tyne and Wear's Metro system to use classical music to reduce crime.
  • Police cells in Switzerland were painted a colour described as "cool-down pink", which is said to keep prisoners calm.
  • In the town of Mansfield, in Nottinghamshire, pink lighting has been installed in areas where teenagers hang out. It's supposed to highlight their acne, so they're too embarrassed to be seen there. Cardiff too, has been experimenting with the same idea.

The forbidden public toilets of Beijing

The journalists' rule of thumb in China is that you cannot report the so-called three Ts - Tiananmen, Taiwan or Tibet. But it turns out there is also another T that upsets Chinese censors.

Wednesday, September 05, 2012

Friday Cephalopod: Superhero of the sea

Friday Cephalopod: Superhero of the sea

I think its sorta sad-funny that my first thought upon seeing this amazing creature of the sea was, "hmm, I wonder how it would taste." In my defense, I was eating a really yummy melt in your mouth seafood biryani with baby octupus & squid at that time.